You know what you want to say but can't think of the word. You can describe what you're thinking but you don't know the name for it. Flip Dictionary solves this common problem! Best-selling author Barbara Ann Kipfer has created a huge reference that offers cues and clue words to lead writers to the exact phrase or specific term they need. It goes beyond the standard reverse dic...(展开全部)

There is perhaps no better loved, no more universal story than "Cinderella." Almost every country in the world has a version of it, but the favorite of story-tellers is the French version by Charles Perrault.This translation is excellent for story-telling and also for reading aloud. Marcia Brown's illustrations are full of magic and enchantment from the little cupids putting ba...(展开全部)

Cinderella's sisters were such a rotten pair, she did all the housework, they never did their share. This is a funny retelling of the classic fairy tale with lift-the-flap surprises. Also in this series are: "The Three Little Pigs"; "Little Red Riding Hood"; "Jack and the Beanstalk"; and "Goldilocks."

This magical series of fairy tales brings together 12 well-loved, traditional favorites in one beautiful collection. Fully illustrated throughout, these books are beautifully detailed interpretations of the familiar tales. The enchanting images bring the traditional stories to life in vibrant full color giving these children??'s classics a fresh look that will last a lifetime.

Cinderella's sisters were such a rotten pair, she did all the housework, they never did their share. This is a funny retelling of the classic fairy tale with lift-the-flap surprises. Also in this series are: "The Three Little Pigs"; "Little Red Riding Hood"; "Jack and the Beanstalk"; and "Goldilocks."

將纏足打造成一個同質性的課題，同時又摒棄其他競爭性的觀點，一律蔑視為「封建」，此乃現代反纏足運動最不朽的「功績」。撰寫一部真實的纏足史所遭遇的難題，部分就是源自這種現代的偏見：我們習於只從反纏足觀點來觀看纏足。為了探求那些被淹沒的聲音，為之撰寫一部另類的歷史，作者不得不抗拒一概而論的衝動、過度簡化的傾向，以及道德主義的口吻──正是這些衝動、傾向和口吻，綁架了我們當前所理解的纏足史。作者努力嘗試從各種局部觀點、前後矛盾的文字、與時代脫節或被時代遺忘的人們，以及常常難以自圓其說的零碎故事中，拼湊出一部歷史。 本書的結構，一開始先鎖定在纏足這項社會實踐「行將消逝」的現代，然後才回溯到傳統時代，最後止於它在文化聲望和情欲訴求方面，都達到極盛的明清時期。之所以採取這種歷史倒敘手法，乃是因為當前我們有關纏足的知識，就像書中第一部分所指出的，幾乎全然來自反纏足運動...(展开全部)

將纏足打造成一個同質性的課題，同時又摒棄其他競爭性的觀點，一律蔑視為「封建」，此乃現代反纏足運動最不朽的「功績」。撰寫一部真實的纏足史所遭遇的難題，部分就是源自這種現代的偏見：我們習於只從反纏足觀點來觀看纏足。為了探求那些被淹沒的聲音，為之撰寫一部另類的歷史，作者不得不抗拒一概而論的衝動、過度簡化的傾向，以及道德主義的口吻──正是這些衝動、傾向和口吻，綁架了我們當前所理解的纏足史。作者努力嘗試從各種局部觀點、前後矛盾的文字、與時代脫節或被時代遺忘的人們，以及常常難以自圓其說的零碎故事中，拼湊出一部歷史。 本書的結構，一開始先鎖定在纏足這項社會實踐「行將消逝」的現代，然後才回溯到傳統時代，最後止於它在文化聲望和情欲訴求方面，都達到極盛的明清時期。之所以採取這種歷史倒敘手法，乃是因為當前我們有關纏足的知識，就像書中第一部分所指出的，幾乎全然來自反纏足運動...(展开全部)

A suspicious beach house fire in southern France traps two young women. One dies. One survives, but is burned beyond recognition and left with amnesia. Plastic surgery gives her a pretty new face, but who is she, really? Killer or victim? Winner of France's most prestigious crime-fiction award, TRAP FOR CINDERELLA is an engrossing tour de force by a master of mystery and decept...(展开全部)

爱看童话的陶蜜儿，在回家的途中捡到了一个怪男生！他爱跳、爱笑、爱说、爱闹、爱欺负她、爱开她玩笑，甚至还在第一次见面就抢走了她的初KISS……可是奇怪咧，这么一个活蹦乱跳的家伙，怎么居然说晕倒就晕倒？难道他是演技派出身，还是故意想吓她一跳？可是等等，他送给她的那枚小尾戒里又怎么会住着一位白胡子老公公？那老公公笑得眉毛眼睛都弯弯，竟然趁她傻呼呼的时候，就请她去一家什么怪怪的童话电影院！啊呀奇怪咧，这电影院怎么看起来好怪啊？居然让人看着看着，就被扯进了童话里。天啊天啊，水蜜桃，这又是怎么回事咧？难道真的梦想成真，童话中的小王子，就要华丽大变身了！

《Cinderella》（《灰姑娘》）是美国绘本界常青树Marcia Brown（马西娅·布朗）改写和绘制的绘本，本作品为马西娅赢得了第一块凯迪克金奖奖牌。